Photo Mathias Völzke
Pauline Curnier Jardin
The carnivalistic backdrops for the exhibition draw us in. But, both the scenography and the sound warn us that something more ambiguous is about to emerge.
French artist Pauline Curnier Jardin’s (b. 1980) exhibition transforms Kiasma’s exhibition space into a grotesque theme park. The film works that await us in its depths offer glimpses into the fate of women and others marginalised in various ways in “entertainment” and as objects of power.
The films in the exhibition deal with gender norms, power and violence, for example, through historical events, the carnality associated with the Catholic Faith, and the experience industry with its emphasis on romance. They show the power relations in society in a garish, sometimes comical, light. The female body is presented as object of power, but women also subvert and wield power.
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